rig requirements

my project partner, angie, has specified some requirements for alisha's motion and interface based on her experience using the morpheus rig in her animation courses. here is everything she's given me so far, starting with more generic rigging notes and moving though specific details about alisha:

the model should be very user friendly for squash and stretch purposes. (i.e. maybe put a joint in the belly button so it can be manipulated for overlapping actions. person jumps up, stomach goes down, when a person falls down, the stomach flies up) also, i am not sure if this is doable, but the degree of rotation in joints should be limited. yes, animators want to break the joints to convey fluid motion if the action is fast, but what i have noticed with other rigs is that the joint will rotate in awkward potions that are sometimes not caught by the eye, so when the model is keyed in between and finally played back, the limb(s) will fly around/twist awkwardly.  also, create joint rigs in toes.

here are a few things to start off with. the rig looks more cartoony, like something by dreamworks rather than disney, because of her proportions. looks fun, snappy.

ik : if animating a wrist, the arm joints will follow it. the hand is the main conductor
fk: controlling joints separately. animator has to animate different joints separately.

shoulder
    1. should have limited rotation just like a human.
              a. in morpheus, that particular rig has no limitation and will spin around too much so that if an animator keys in their poses and does not catch what degree the arm is at, the arm will spin in circles. the control looks like a circle on morpheus.
    2. create a rig in the shoulder that will combine the movements in the shoulder blade/trap.
              a. in the shoulder, there is a rig that looks like a sideways lollipop, o--, an x and a large circle around the whole shoulder. this does not make it difficult to work with all these rigs, however when animating all of these rigs, most likely it comes out not believable/realistic.

elbows
    1. should only move in y axis. (shoulder/wrist rotates in every axis) with the liberty to break the joint.

hand
    1. ik and fk
    2. rig in every joint
    3. need main control outside the hand like in morpheus

torso
    1. should only have ik rigs because it shows more flexibility where as fk looks like the rig is folding and breaking awkwardly.
    2. put an ik rig in the belly button area for overlapping actions.

feet
    1. both ik and fk in feet. ik when to any type of animation besides a walk cycle. fk, walking, running.
              a. knee cap rig should follow the direction the feet are facing. makes sense right! in morpheus, hug problem where he starts to have a broken joint and looks like an insect.
              b. feet face outward, so does the knees, etc.
    2. toes ik

neck
   1. fk. limited range of motion.

face
   1. fk throughout
   2. need rig in middle of forehead to move top brow
   3. there should be 3 rig controls in the eyebrows, on the edges and middle. translations and rotations.
   4. there should be a main control outside of rig model right in front of eyes, to control both eye balls.
   5. rig controls in eyelids so they can open and shut.
   6. rig in both check bones. rotation/translations.
   7. rig in nostrils
   8. rig in jaw to open and close
   9. 3 rigs for upper and lower lips

there should be a main key control hovering the ground. this makes it easier to highlight every joint in the rig so animators and key their frames easier and faster.

the rig needs both ik and fk, however, it is a lot easier to use ik when doing typical animations without walk cycles. when manipulating a rig, there should be humanistic limitations so that the limbs do not twirl around drastically and with no purpose when blocking/ani.

since i have to play with morpheus for my ani projects, i came to realize that in typical poses (lung, line of action in a pose, etc) morpheus' skin folds really awkwardly, with a human it comes natural. morpheus has troubles, especially in the shoulders because of its rotations and translations. it becomes disjointed very easily.

to further make it easier, head and neck should be parented to the spin but should follow the world, body should also follow world. this makes it more natural and easy to track without the head spinning out of control during blocking faze along with limbs.